Australian based filmmaker and photographer drawn to documenting architecture and the built environment.

Australian based filmmaker and photographer drawn to documenting architecture and the built environment.

Dan Preston is an Australian filmmaker and photographer drawn to documenting the built environment. He aims to convey the aspirations of architects and designers, revealing their intentions in his photographic process and cinematic aesthetic, resulting in the documentation of award-winning projects featured locally and internationally.

His film and photography services encompass every aspect of pre and post-production, including editing, color grading, graphics, and sound design.


Clients

Press

Architecture Australia, Houses, Green, ArchDaily, Broadsheet, The Local Project, Est Living, Thisispaper, March Studio - Making, Architecture, Material & Process, Kerstin Thompson Architects Encompassing People and Place, Abitare, Type 7, Vogue Living

We acknowledge the Wurundjeri Woi-wurrung people of the Kulin Nation, Traditional Custodians of the land where we work, and we pay our respects to their Elders.

Memo  /  Formwork

Daylesford Longhouse

Partners Hill for Local Project

Client The Local Project

Architect: Partners Hill

Location: Daylesford, Australia

Published: The Local Project

Awarded: Australian House of the Year in 2019

I came here on a very windy day and noticed about seven species of local animal that were attacking anything that could grow. Ones that bounce and ones that fly and ones that burrow and ones that nibble.

And in a very polite way then I started to imagine how people who were committed to making a farm and a garden could in fact flourish in such an unlikely place.

I'm Timothy Hill who in a sense has from start to finish been the custodian of the design.

Having worked on the site for many years it's a pleasure on an occasion like this to acknowledge the judicial owners, the Jajawarung people, to acknowledge their ancestors and their presence which having spent time on their country I'm very mindful of. We're one and a half hours away from Melbourne. We have risen in height so our exact site is called Elevated Plains.

We're on a ridge and I understand that we're above gold mines. The arrival is scaled so that you arrive in a sense in a very ambiguous hall that is not optimised for the car but then has all the potential of being ambiguously for as they say weddings parties anything.

Off that huge portal we've got the animals on axis in one direction and the garden and the people there on the other side.

After arriving in the big hall one set of doors give on to what in terms of scale and character is the complete opposite of where you've arrived which is an intimate vestibule. We move onwards from there and then there's the first offer to travel above to a building which has its own staircase in the garden or there's the temptation to pursue now that you've arrived other buildings around town.

Our research centred on how in other societies at other times the agricultural model of super confining the fecund part and therefore being able to leave most of the landscape as it was had a not only an age of efficiency but also when it comes to the example of Palladio a potentially beautiful democracy in the sense that the Palladian villa had the stores, the people who looked after the farm, the owners of the estate, the art collection, the machinery all in one magnificent building.

Palladio built very beautifully so that then I guess the net rationale is a lot of people had a lot of contact with beauty a lot of the time.

The concept for the space was really about having something with many layers that was multifunctional but it was also a space to hone our skills of self-sufficiency to exchange knowledge and to run programs where other people could learn. We also run a wolfing program where people come and live and work with us to help contribute to that farming system.

— Timothy Hill, Partners Hill


I'm Ronnen and one of the owners of Dalesford Long House alongside my partner Trace.

We've been living up here for about 13 years.

The fundamental principle of establishing a greenhouse cleans up a number of key things. One is wind protection, the other is a level of amenity all year round and the incredible thousand square meter each of roof gives us a massive water harvesting device which allows us to hold that water and not have the soil dry out really quickly.

The kitchen would have to be my favourite part of the house without question. There are quite a few aspects that make that kitchen extraordinary. One is its ability to transform so the doors roll back, the roof retracts and you can be cooking almost as if you were outside and it incorporates a multitude of things in terms of a dining space as well as a space for running workshops and classes.

The Long House continues to unfold you encounter more gardens, fruit trees and then a private garden space at the back which sits adjacent to the Airbnb.

The Airbnb itself is quite a compact little space but it's really beautifully positioned in terms of its outlook so it greets the eastern sun in the morning. We have the benefit of being able to have it at times for ourselves but also being able to have an active social lifestyle that's centred around the house means that we're also fairly permeable.

Usually people seem to leave here somewhat changed whether it be through that sense of wonderment and delight or having experienced something different or that connection with nature and the ability to kind of decompress.

It doesn't have one big idea, it has a collection of small aggregate ones.

— Ronnen Goren